![]() Simply put, it's a way of chaining waveforms in order to produce a rhythmic/melodic sequence (see pic below) that can then be supplemented with other patches, in unison or split mode. Toying around with the juxtaposition of patches, their respective envelopes, the split keyboard mode and the vector joystick is a perfect way to create rich, sophisticated, highly evolving sounds and landscapes.Īudio example 6 This alone would grant you interesting creations, but the Wavestation has one more trick up its sleeve : wave sequencing. That allows for very complex sounds, bearing in mind that the Wavestation is a vector synthesis synth, allowing the player to "move" inside the sound with a joystick (Dave Smith brought this to Yamaha and Korg from the ill-fated Prophet VS - my first synth was a Yamaha SY35, one of these surprinsingly rare vector synths). ![]() This synth works with "performances", which are combinations of patches, each one able to stack up to 4 oscillators. While the factory presets are decent (including the cool Mini Lead patch used by Tony Banks on "Fading Lights"), the Wavestation isn't a preset machine, but a real synth with vast programming capabilities. The screen, after all, is quite big and although fumbling through menus and sub-menus isn't the most practical way to tweak the sound, everything is laid logically enough and with a little practice (because the manual is very thin), programming becomes somewhat easier. It sure looks slick, but what about programming? Well, I would certainly prefer a vintagish array of knobs to control the parameters in real time, but as digital synth design goes, I've seen worse than the Wavestation. No knobs, but a LCD screen and some buttons. what about it?Īt first glimpse, the Wavestation suffers from the infamous "80s interface" bug .
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